Hip Hop Movie Pageant Promotes Black Creatives

Traditionally, movie festivals haven’t been as receptive to Black creatives as they’re to white creatives. Just lately, in fact, the tenor of movie festivals — and of Hollywood — has modified dramatically. Elevated social consciousness, due to each the #MeToo motion and, to a a lot better extent, the #OscarsSoWhite motion, has created an area for brand spanking new voices to enter the leisure fray. Black voices are being amplified at festivals like ABFF and given house to inform their tales.

For creatives that wish to be seen, and heard, by different creatives and professionals that appear to be them, the Hip Hop Movie Pageant proves one other much-needed reprieve from a “practically all white” leisure world. The tenor of the competition, too, proved a lot totally different than others. Free from the constraints of code-switching and different types of standing on ceremony, the Black creatives in attendance virtually unanimously cheered the “protected house” supplied by the competition — a spot the place they might all be themselves, converse their language and rejoice their tradition in an open, trustworthy approach.

The competition, which came about from August 1 to four 2019, was hosted on the historic Nationwide Black Theater in Harlem, New York, and was particularly designed for writers, administrators and producers who grew up within the world tradition of hip-hop. And, as a testomony to the worldwide nature of hip-hop, the competition boasted an viewers of over 100 administrators, producers and screenwriters from the USA, France, Brazil, Saudi Arabia, Canada, the UK, Russia, Switzerland, South Africa, India, Japan, Portugal and Argentina.

“The Hip Hop Movie Pageant is dedicated to empowering filmmakers and film lovers that grew up within the common tradition of hip-hop,” stated HHFF founder CR Capers, who spent many of the competition being hands-on with as many creatives as she probably might, all with a heat greeting and a welcoming smile.

However greater than a form phrase, Capers and the Hip Hop Movie Pageant gives unparalleled alternative. Aspiring documentarians, for instance, had an opportunity to showcase their choices to earn an acquisition assembly with REVOLT TV executives.

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For Thomas Freeman Jr., the chance to probably have his documentary, The Nice Hip-Hop Migration, picked up by such a big conglomerate was one value striving for. “The Hip Hop Movie Pageant was the right place to showcase my movie,” he stated. “You recognize, though filmmaking is altering, a competition like this supplies one thing invaluable. Specifically, it supplies the publicity, and most significantly, the entry, for filmmakers like me that will not have the assets to get it some other approach.”

Roland Lane, an actor greatest identified for his work in The Lengthy Goodbye — and who was on the Hip Hop Movie Pageant to advertise his look within the tv sequence Sauce, which was additionally showcased on the Pageant — agrees. “For me, I received lots out of this — particularly, within the type of entry. I’m seeing my entire artistic community right here — the actors, the writers, the administrators I’ve labored with previously — they usually’ve launched me to an entire new subset of actors, writers, and administrators. A number of the alternatives that I’ve gotten, particularly previously couple of years, has all been due to my community. It’s all been due to the those that I’ve met — the individuals I’ve collaborated with — and even simply a point of separation the place somebody has referred me to another person. It’s all been invaluable to me.”

Previous submissions and winners have generated nice success for the competition. For instance, Stefon Bristol’s movie See You Yesterday was screened at a earlier version of the Hip Hop Movie Pageant, and that screening resulted in Spike Lee — and later, Netflix — negotiating a outstanding deal for the younger filmmaker. And that instance was removed from the primary of its type: each the competition and the featured filmmakers acquired worldwide press, and plenty of went on to be invited to different festivals, supplied world excursions and obtained distribution offers.

 

It’s the hope of this kind of success that introduced New Orleans native Courtni Saizon and her Brooklyn-based filmmaking associate, Brittany Heyward, to the competition. Saizon & Heyward screened their net sequence, Prospect Park, for the Act Up mini-workshop, and the expertise was, for them, a refreshing one.

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“We wouldn’t thoughts giving up some artistic possession of our product,” stated Heyward. “Not less than, I wouldn’t thoughts — as a result of on the finish of the day, one thing good, one thing larger, goes to come back out of it. We simply actually wish to share our imaginative and prescient — and get our mission on the market.”

“What Hip Hop Movie Pageant is about — and what it’s doing — is so essential,” added Saizon. “Their inclusivity, as I discussed earlier, is what makes it so nice. It’s rebellious. It’s mainstream. It’s made such an essential impression, not simply on us, however on tradition normally.”

Conscious of the impression that hip-hop has had on the tradition as entire, the Hip Hop Movie Pageant organizers made the even bolder resolution to provide their prestigious G.O.A.T. (Best Of All Time) award to the late John Singleton, an award that included a number of particular occasions honoring the director, together with leisure impressed by the flicks of Singleton on the competition’s two-story artwork gallery.

It’s a choice that was well-embraced by all in attendance, together with the mononymic Shefik, whose daring screenplay, One Soul Phrase, was prominently featured and was a finalist, as nicely, on the competition. “The philosophy is 4 pillars — peace, love, unity and respect,” he stated, talking of each his movie and the tenor of the competition. “It’s about looking for themselves — about attempting to seize their id — and it’s about acceptance and love.”

 

Here’s a full checklist of the 2019 Hip Hop Movie Pageant winners.

BEST OF THE FEST

WINNER: Pas Honteux

Nominees:

Kasala!

Outgrown

Underdogs

The Closet B.I.T.C.H.

 

BEST FEATURE

WINNER: Contents Beneath Strain

Nominees: 

Rip-off Republique

Remorse

Kasala!

 

BEST DOCUMENTARY

WINNER: Underdogs

Nominees:

Nowhere Bastards

The Course of

The Killing of the Fifth Component

Shadows In The Field

 

BEST SHORT

WINNER: Pas Honteux

Nominees:

God Bless You

The Hip Hop Child

 

BEST WEB SERIES

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WINNER: The Closet B.I.T.C.H.

Nominees:

#Washed

Dangerous Internet Collection

Fundamental Lee

Sauce

 

BEST MUSIC VIDEO

WINNER: El Chapo

Nominees:

The Course of presents Rasheed Cambell

OG Bobby

Rebirth of Slick

Know Me So Nicely

 

BEST DIRECTOR

WINNER: Jamal Hodge – A Glad Divorce

Nominees:

Michael Pickney – Blue Flame

Teo Frank – Underdogs

John Tucker – Pas Honteux

 

BEST CINEMATOGRAPHY

WINNER: To The Insanity

Nominees:

Nana’s Room

Sauce

The Hip Hop Child

 

BEST SFX/EDITING

WINNER: The Closet B.I.T.C.H.

Nominees:

I’m Hero

The Course of Presents Rashad Cambell

Unfastened Lips

 

BEST SCREENPLAY

WINNER:  God Bless You

Nominees:

Existenital Donut

Winston

Preserve It Movin

Money Your Life Insurance coverage In 30 Days

 

BEST COMEDY

WINNER: Dangerous Internet Collection

Nominees:

To The Insanity

FAM Membership

Rhonda Mitchell MD

 

BEST ACTRESS

WINNER: Shana Solomon – The Closet B.I.T.C.H.

Nominees:

Samantha Lopez – Me three.769

Mitch Roberson – Nana’s Rooom

Regine Mont Louis – How To Money Your Life Insurance coverage in 30 Days

Erica Bowman – Fundamental Lee

 

BEST ACTOR

WINNER: Kyvon Edwin – Winston

Nominees:

Travis LaBranch – Pas Honteux

Philip E. Walker – The Hip Hop Child

Guyviad Joseph – God Bless You

Dimitri Carter – Showtime

 

BEST SOCIAL JUSTICE FILM

WINNER: Causalties of WAR

Nominees:

4 Factors

The Colour of Pores and skin

The Interview

Delight Is Pricey

 

BEST COSTUME DESIGN

WINNER: Mr. & Mrs. Jackson

Nominees:

Outgrown

Blue Flame 

Sauce

 

BEST ORIGINAL SCORE / SOUNDTRACK

WINNER: Nana’s Room

Nominees:

#Washed

Preserve It Movin

Pas Honteux

Lionel Fantom

 

BEST OF THE FEST INTERNATIONAL

WINNER: Kasala!

Nominees:

1 World Beneath A Groove

Kangol: Hip hop College

Rip-off Republique

 

BEST OF THE FEST – AUDIENCE FAVORITE

WINNER: #Washed

Nominees:

The Closet B.I.T.C.H.

Preserve It Movin

Dangerous Internet Collection

FAM Membership

 

BEST OF THE FEST – SCREENWRITER’S COMPETITION

WINNER: Prospect Park

Nominees:

The Actor

Nonetheless Bought The Juice

Toyz On Demand

 

BEST OF THE FEST – NEW JACK WINNER :

Shawn Antione II – Showtime

 

BOSS PITCH WINNER : PROSPECT PARK

 

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